Next in the RSC’s summer Roman season is Titus Andronicus, one of Shakespeare’s earliest plays, although it is set after the previous two Shakespeare plays of the season, Julius Caesar and Antony and Cleopatra. It uses the same set as those plays, but unlike them it is set in the modern day. At first I was unsure about this, wondering if it would have made more sense to have set the play during its original time period in keeping with the rest of the season. However, setting it in the present does emphasise that the events in it are taking place years after those in Caesar and Cleopatra, and it also draws parallels between the events of the play and contemporary politics.
Titus, it must be said, is not one of Shakespeare’s best plays. It’s unsubtle and overblown, and is most famous for its violence, which is not played down in this production. Indeed, the infamous pie scene is probably the most grotesque I’ve ever seen it. However, it certainly shouldn’t be dismissed. It has some compelling characters, foreshadows the themes of some of Shakespeare’s greatest plays, and has a genuine interest of its own. The characters in the play are fictional, but the events which occur are loosely based on real events. It’s interesting that while Roman civilisation and Gothic barbarism are initially contrasted, the Romans are shown to be every bit as brutal as the Goths.
Performing this play as part of the Roman season led me to see parallels between this and the other plays in the season. The triumphant entrance of the General Titus reminded me of the return of Julius Caesar at the beginning of that play, and Antony’s ultimately destructive infatuation with Cleopatra foreshadows emperor Saturninus’ obsession with Tamora.
The play could be described as a bloody revenge tragedy, but to be fair there is more to it., with plenty of political scheming, secret plotting and musings on fate. There are some strong performances from David Troughton as Titus, Hannah Morrish as Lavinia and Nia Gwynne as Tamora. An enjoyable production, superbly directed by Blanche McIntyre, and a must-watch for anyone interested in the whole of the Roman season.