Since reopening The Other Place, the RSC have gone strength to strength with their Mischief Festival, which takes place a couple of times a year. The latest is based around the themes of free speech and the right to protest. The two plays in this Mischief Festival are contemporary and vital.
#WeAreArrested has been adapted by Pippa Hill and Sophie Ivatts from the book by journalist Can Dündar, a real-life tale of a brave journalist exiled for telling the truth. Day of the Living, created by Darren Clark, Amy Draper and Juliet Gilkes Romero, explores the circumstances surrounding the 2014 disappearance of 43 students in Mexico.
The first play, narrated by the journalist (played compellingly by Peter Hamilton Dyer), tells how his decision to publish an exposé of his government’s corruption comes to have fateful consequences. He leaves the country, returns, and is imprisoned. The prison scenes are actually some of the best: they are certainly challenging, could easily have been bleak, but they are among the most uplifting of the whole play. Impressive stage tricks, all the more impactful for taking place on a nearly-bare stage, feel like magic, but it’s Hamilton Dyer’s strong performance, ably supported by Jamie Cameron and Indra Ové who play a variety of roles, which really holds the attention. It’s interesting that, although the play was inspired by events in Turkey, no country is mentioned in the work, which reinforces the fact that these events could happen anywhere.
Day of the Living lacks the coherence of the first play, and the story is harder to follow. However, it is a lively tale full of music, and conveys the fear and terror felt by the students and their families in the aftermath of the disappearance, mostly through the eyes of one family. Featuring a multi-talented cast who sing, play instruments, act and take on a number of roles, it’s a strong reminder that repressive regimes are not a thing of the past.