Oddly, The Merry Wives of Windsor is one of the few plays I’ve seen twice at the RSC – once back in 2012, and once now in 2018. This production, directed by RSC newcomer Fiona Laird, stars David Troughton as Falstaff and is set in an era that mixes traditional Elizabethan with contemporary Essex.
Tradition has it that Queen Elizabeth I asked for this play, owing to her fondness for the character of Falstaff; the production runs with this theory in a humorous Prologue which imagines Shakespeare receiving his orders from Her Majesty. Unlike most of Shakespeare’s other plays, Merry Wives features no royalty or nobility, just ordinary middle-class folks – doctors, tradesmen, tavern owners – and shows the women of the title getting their revenge on their would-be seducer, Falstaff.
This is a modern spin on the play: Mistresses Page and Quickly talk over their plots in a beauty salon, and the Fords’ back garden boasts a golden barbecue and a swimming pool. Falstaff is forced to hide in a wheelie bin, instead of the usual laundry basket, wheeled away by a pair of bemused Polish binmen. Yet the cast wear costumes and live in houses inspired by the sixteenth century, and they still evoke the legend of Herne the Hunter at the play’s end.
Merry Wives has got to be one of the funniest Shakespeare comedies, and the cast make the most of it. David Troughton is a superbly entertaining Falstaff, and Rebecca Lacey and Beth Cordingly as Mistresses Page and Ford are a match for him. The supporting characters provide great entertainment – Jonathan Cullen as Dr Caius, David Acton as the Welsh Parson, and Charlotte Josephine as Bardolph, as well as Ishia Bennison as Mistress Quickly.
I loved this production – it was hugely entertaining and great fun, and should appeal to those who are unsure about Shakespeare as well as those who love his work.