You may (but probably don’t) remember that several months ago, I posted that I was going to start posting ‘retro reviews’ of productions I’d seen in the past. My plans have changed slightly: I don’t think it’s viable to post long reviews of any of these, as I simply saw them too long ago, so instead I’ve written a sentence or two about each production. I’ve focused on the productions I saw after I moved to London in 2011, but before I officially started this blog at the end of the year.
After Troy, Glyn Maxwell after Euripides, The Shaw Theatre, 28 March
This was the first play I saw after moving to London, over a month after I arrived. My friend invited me to see it. It was based on Euripides’ The Women of Troy and Hecuba by poet Glyn Maxwell.
The Cherry Orchard, Anton Chekhov, Olivier, National Theatre, 19 May
My first experience of the National Theatre, I loved this production of The Cherry Orchard starring Zoe Wanamaker.
Cause Celebre, Terence Rattigan, Old Vic, 21 May
Rather an odd play to be my first Rattigan, but I enjoyed this, inspired by the trial of Alma Rattenbury, starring Niamh Cusack.
As You Like It, William Shakespeare, Shakespeare’s Globe, 22 May
My first Globe production since moving to London, this version of As You Like It was set in the nineteenth century and was lots of fun.
Pygmalion, Bernard Shaw, Garrick Theatre, 26 May
This production starred Rupert Everett and Kara Tointon, and I really enjoyed it.
Rocket to the Moon, Clifford Odets, Lyttelton, National Theatre, 28 May
I basically went to see this play because I found out that it starred Joseph Millson, who I used to have a major crush on in his Peak Practice days, and I wanted to see if he was a good stage actor. Yes, is the answer, although I don’t remember much about this play.
All’s Well That Ends Well, William Shakespeare, Shakespeare’s Globe, 29 May
Not my favourite Shakespeare play, but given a good performance at the Globe.
The 39 Steps, Simon Corble and Nobby Dimon, rewritten by Patrick Barlow, Criterion Theatre, 30 May
I thoroughly enjoyed this long-running comedy, so much so that I went to see it again before it closed.
Blithe Spirit, Noël Coward, Apollo Theatre, 9 June
Later overshadowed by the production starring Angela Lansbury, this earlier version was my first encounter with the Noël Coward play.
Ghost Stories, Jeremy Dyson and Andy Nyman, Duke of York’s Theatre, 10 June
I booked to see this after some friends recommended it. I found it quite spooky, but very clever.
Flare Path, Terence Rattigan, Theatre Royal Haymarket, 11 June
I took my mam to see this one, because she loves anything to do with World War II. I enjoyed this 1942 play, too, and though that Sienna Miller and Sheridan Smith did a good job.
The Government Inspector, Nikolai Gogol, Young Vic, 14 June
I brought a friend along to see this famous Russian comedy, given a modern twist by director Richard Jones. Julian Barratt gave a good performance, although it wasn’t until recently when I went on a tour of the Young Vic that I realised Louise Brealey was also in it.
Betrayal, Harold Pinter, The Comedy Theatre, 15 June
It seems apt that the first play I saw at the Comedy Theatre was by Harold Pinter, as it was subsequently renamed the Harold Pinter Theatre. Betrayal is the story of an extra-marital affair told back wards, and Kristin Scott-Thomas and Lia Williams swapped roles every night.
The Beggar’s Opera, John Gay, Regent’s Park Open Air Theatre, 23 June
My first experience of the Open Air Theatre was to see John Gay’s The Beggar’s Opera, a wild romp through eighteenth century London with a surprisingly modern ending.
Richard III, William Shakespeare, Old Vic, 26 June
Kevin Spacey starred as Richard III in this Old Vic production and I thought he was brilliant, wonderfully villainous. I’ll never forget the image of him blowing a party popper collapsed into a chair.
Cymbeline, William Shakespeare, Tabard Theatre, 29 June
This was my first experience of Cymbeline, and it was pretty interesting.
The Railway Children, E Nesbit, adapted by Damian Cruden, Waterloo Station Theatre, 30 June
I loved this and it nearly made me cry. Incredibly charming with an unforgettable appearance from a REAL STEAM TRAIN.
Love Never Dies, Andrew Lloyd Webber and Glenn Slater, Adelphi Theatre, 1 July
The story was a bit dodgy, but I adored the music. Also, this was notable for being the first time ever I saw Ramin Karimloo on stage.
Emperor and Galilean, Henrik Ibsen, Olivier, National Theatre, 5 July
This was… very long. That’s all I really remember about it.
Rosencrantz and Guildenstern Are Dead, Tom Stoppard, Theatre Royal Haymarket, 7 July
Funny, clever, thoroughly enjoyable.
Hamlet, William Shakespeare, Shakespeare’s Globe, 9 July
My first experience of Hamlet at the Globe. Not the best Hamlet I’ve ever seen, but decent enough.
Much Ado About Nothing, William Shakespeare, Shakespeare’s Globe, 14 July
Eve Best and Charles Edwards together on stage. An intensely joyous production.
Doctor Faustus, Christopher Marlowe, Shakespeare’s Globe, 21 July
An intriguing and unforgettable production.
Much Ado About Nothing, William Shakespeare, Wyndham’s Theatre, 4 August
A decent effort by David Tennant and Catherine Tate, but it didn’t compare to the Globe’s version.
Anne Boleyn, Howard Brenton, Shakespeare’s Globe, 9 August
Thoughtful, engrossing play about Henry VIII’s second wife.
Journey’s End, R.C. Sherriff, Duke of York’s Theatre, 15 August
Incredibly powerful and moving.
South Pacific, Rodgers & Hammerstein, The Barbican, 22 August
I thoroughly enjoyed this, a lovely old-fashioned musical.
Betty Blue Eyes, Stiles & Drewe, Novello Theatre, 25 August
Quirky and very British. Amazing animatronic pig.
Chicago, Kander & Ebb, Cambridge Theatre, 27 August
Loved this, very well done with some great tunes.
Shakespeare’s Globe Mysteries, Tony Harrison, Shakespeare’s Globe, 29 August
The Globe was the perfect venue for this kind of medieval-style play.
Dreamboats and Petticoats, Playhouse Theatre, 31 August
A jukebox musical, but pleasant enough.
Billy Elliot, Elton John and Lee Hall, Victoria Palace Theatre, 3 September
I’d wanted to see Billy for ages and I loved it.
Betwixt!, Ian McFarlane, Trafalgar Studios 2, 6 September
Small-scale hugely enjoyable musical.
A Woman Killed With Kindness, Thomas Heywood, Lyttelton, National Theatre, 8 September
This is another one I don’t remember all that much about.
Million Dollar Quartet, Colin Escott and Floyd Mutrux, Noël Coward Theatre, 13 September
Enjoyable and surprisingly moving musical.
The Tempest, William Shakespeare, Theatre Royal Haymarket, 15 September
This was possibly one of the worst Shakespeare productions I’ve ever seen, even though on paper it should have been a good one.
Yes, Prime Minister, Jonathan Lynn and Antony Jay, Gielgud Theatre, 20 September
This one was pretty funny, and I wasn’t disadvantaged by not having seen the original TV show.
Ghost: The Musical, Bruce Joel Rubin, Piccadilly Theatre, 1 October
I went to see this with my auntie and I enjoyed it more than I’d expected to.
The Phantom of the Opera, Andrew Lloyd Webber and Charles Hart, 25th Anniversary Performance at the Royal Albert Hall, 2 October
This was brilliant, one of my most unforgettable theatrical experiences.
Cool Hand Luke, Donn Pearce, adapted by Emma Reeves, Aldwych Theatre, 20 October
Quite enjoyed this play.
Crazy For You, George & Ira Gershwin, Novello Theatre, 10 November
‘New’ Gershwin musical, this was nostalgic and fairly enjoyable.