Olaf

Olaf, by Ottisdottir Productions, is the first production of Ibsen’s 1856 play Olaf Liljekrans in the UK since 1911. Adapted by Mark Ewbank and performed in the intimate Barons Court Theatre, it’s an enjoyable fable that reveals the younger Ibsen exploring themes that would come to fruition in his later work.

Arne Of Guldvik (Che Watson) has brought his daughter Ingeborg to marry Olaf, son of Lady Kirsten (Rebekka Magnúsdóttir), in order to end a feud between the two rival landowners. However, the groom is nowhere to be found. Rumoured to have been ‘bewitched in the mountains’, it soon becomes apparent that he has fallen in love with another woman, Alfhild. Will he stay true to her, or will he be persuaded to renounce his love in favour of a marriage of convenience?

In its language and plot, the play is somewhat reminiscent of Shakespeare, with a light, comedic tone throughout and some beautiful speeches. The company have managed to do a lot with very little: barely any set and a handful of props are all that are needed. The performances are strong, particularly from Teddy Robson as Olaf. Sarah Madden also convinces as the flighty Ingeborg, while Grace Monroe draws our sympathy as Alfhild.

This enjoyable play isn’t Ibsen’s greatest, but it’s a must-see for any fans of his work, and is a lovely way to spend an afternoon or evening.

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