I’m pretty familiar with John Webster’s Jacobean tragedy The Duchess of Malfi, but my knowledge of his other major play The White Devil is much more limited. I was less than enamoured with the RSC’s production of a few years back, but luckily this production at the Sam Wanamaker Playhouse hits all the right spots.
The convoluted plot begins with the love affair between Brachiano and Vittoria, who are both married to other people. Its pretty hard to follow, but director Annie Ryan does her best with the material and makes it as clear as it probably can be. My favourite characters include Flamineo, Vittoria’s brother, who wins the audience on side with his wry asides.
The costumes are beautiful, giving the production a Victorian Gothic/steampunk flavour. It got me wondering whether the Gothic literature of the eighteenth and nineteenth centuries might not have its roots in Jacobean revenge tragedy.
Another striking thing about the production is its complex use of candlelight to create atmosphere and change the mood of the scene. This has always been the case with the Playhouse, but it seems even more apparent here. The cast tackle the complex language well, bringing clarity to a difficult work.
While not up to the standards of The Duchess of Malfi, The White Devil is an important Jacobean play, and I can’t imagine it getting a better production than it has got here.