I chose to attend the Read Not Dead performance of A Pleasant Conceited Historie, Called The Taming of a Shrew out of curiosity more than anything. It’s an alternative version of the more famous The Taming of the Shrew, but the exact relationship between the two plays is shrouded in mystery. Shakespeare may have written A Shrew, or he may not; The Shrew may be the later play, or it may be the earlier. Either way, it’s certain that both plays have near-identical plots and other considerable similarities. One thing I found particularly interesting is that the framing plot device involving Sly was invoked at both the beginning and end of the play; I did prefer this to The Shrew, in which the plot device is used at the beginning but forgotten at the end. However, the subplot here, in which Kate’s two sisters (unlike the one sister she has in The Shrew) seek to marry, is more concerned with class and comedy than with deception. It was fascinating to see this version on stage: Shrew is a problematic play anyway, but I found this experience illuminating.